art ~ spirit ~ transformation
e*lix*ir

e*lix*ir #18, Special Ten-Year Anniversary Issue
Twin Birthdays 2025
 

TABLE OF CONTENTS


Editorial

Weaving the Threads...

Feature

The Beautiful Foolishness of Things — A collaborative work by poet Sandra Lynn Hutchison, composer Margaret Henderson, and painter Inger Gregory

Reading

Global Poetry Reading Honors ‘Abdu’l-Bahá

The Writing Life

Translating Rumi
by Anthony A. Lee
Joining the Circle: Art and Spirituality at Little Pond and “A Prayer in Nine Postures”
Notes on the Poetic Process
by Michael Fitzgerald

Poetry

The e*lix*ir Poetry Collective Writes the Creation
James Andrews
Harriet Fishman
Sandra Lynn Hutchison
A.E. Lefton
Imelda Maguire
YoungIn Doe

Fiction

Ivory and Paper
by Ray Hudson
The Bluest Part of the Sky by Tanin

Play

Tahereh and Jamshid: A One-Act Play by Sandra Lynn Hutchison

Essay

Margaret Danner, the Black Arts Movement, and the Bahá’í Faith
by Richard Hollinger

Memoir

An Invisible Wave
by Elizabeth M. Green

Reflections on Bahá’í Texts

Our Verdant Isle by Sandra Lynn Hutchison
The Mystery of Proximity and Remoteness
by A. Philip Christensen

Translation

“If I Should Gaze Upon Your Face” by Tahirih
translated by Shahin Mowzoon and Sandra Lynn Hutchison

Letters

A Small Light in a Dark Room by Andisheh Taslimi
Dreaming of a Better Iran: A Letter to Our Fellow Citizens by a Few Bahá’í Students

Interviews

Painting and Interview with Shahriar Cyrus by Mehrsa Mastoori
Art and the Creative Process: An Interview with Hooper C. Dunbar by Nancy Lee Harper

Retrospective

Brilliant Star: Looking Back on 36 Years of an Award-Winning Children’s Magazine
by Susan Engle

Voices of Iran

Riding a Purple Bicycle
in the City of Isfahan

by Sahba
What Mona Wanted: A Prayer for Resilience by Kimiya Roohani

Comic

Ruhi & Riaz by Eira

Art

Paintings Revisited
Textile Arts Revisited


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Bev Rennie

A.E. LEFTON

Hallowed

Before I leave, let me linger
in these mountains,
worn down as ground teeth.
Let me knit myself to these forests,
green lakes swollen with ice melt —
earth’s fevered sweat and tears.

On Walnut Street Bridge, mist
rises as ghost-wolves
haunt the Tennessee hills.
And a heron flies low over the river,
brushing his blurred image
with outspread wings.

Two men were lynched on this bridge,
and the spirit in my skin is bloodied
by rage, then purified by grief.
Down the river, thousands more
were thrown from their homes,
leaving the land uprooted
and my own roots
exposed.

Their swinging bodies sing to us —
voices shimmering in air —
a hallowedness imperiled
until we listen,
and heal.

Under the leaves’ anointing hands,
I lift my face to catch rain
on my forehead, stretch out my arms
to meet the green fingers of the world.
It’s been more than forty days
without human touch.

Instead, I caress moonfaced clematis
and white pansies. Rub my hands
into soft stars that release milky scent
in the tangled branches
under the greenway. Press my palms
into willow oaks, the satin hide
of crepe myrtles, the white birch
which shed their bark again and again.

Before I leave, I want the folk songs
that echo the Appalachians
to tell me the secret of their undying.
I want wild blackberries to stain
my teeth and the skill of wise women
who know that fire, water, earth, and air
arise from spirit, and return there.

Leaning against the fence that divides
this world from the next,
blue winds hollow me out,
and old gravestones grow moss
and say nothing.



Andréana E. Lefton

Bio:   Andréana (A.E.) Lefton is a poet, freelance writer, traveler, and educator, currently based in Chattanooga, TN. She has lived in the Middle East, Europe, UK, and USA, and works to create spaces for healing, art, and “the inner work of justice.” She is also an instructor with Turn the Page, a creative writing program for people in jails and in recovery. Her essays and poetry have been published by On Being, Sojourners, Sufi Journal, the Journal of Bahá’í Studies, the United Nations Society of Writers, and more.